Hardin & Tessa’s VERY Steamy Moments! _ After We Collided, After We Fell, After Ever Happy from video sex laki Watch Video

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Hardin & Tessa’s VERY Steamy Moments! _ After We Collided, After We Fell, After Ever Happy

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Apple TV+ today debuted the teaser for “Presumed Innocent,” the upcoming, eight-part limited series starring and executive produced by Jake Gyllenhaal, hailing from multi-Emmy Award-winners David E. Kelley and executive producer J.J. Abrams. The star-studded ensemble cast also includes Ruth Negga, Bill Camp, O-T Fagbenle, Chase Infiniti, Elizabeth Marvel, Nana Mensah, Renate Reinsve, Peter Sarsgaard and Kingston Rumi Southwick. “Presumed Innocent” will make its global debut on Apple TV+, premiering the first two episodes on Wednesday, June 12 followed by a new episode every Wednesday through July 24. <br/><br/>Based on The New York Times bestselling novel of the same name by Scott Turow, the gripping series takes viewers on a journey through the horrific murder that upends the Chicago Prosecuting Attorney's office when chief deputy prosecutor Rusty Sabich (played by Gyllenhaal) is suspected of the crime. The series explores obsession, sex, politics, and the power and limits of love, as the accused fights to hold his family and marriage together.<br/><br/>“Presumed Innocent” hails from Bad Robot Productions and David E. Kelley Productions in association with Warner Bros. Television, where Bad Robot is under an overall deal. Abrams and Rachel Rusch Rich executive produce for Bad Robot. Kelley serves as showrunner and executive produces through David E. Kelley Productions alongside Matthew Tinker. Dustin Thomason, Sharr White and Gyllenhaal also serve as executive producers. Turow and Miki Johnson serve as co-executive producers. Anne Sewitsky serves as executive producer and directs the first two episodes and episode eight, and Emmy Award-winner Greg Yaitanes executive produces and directs episodes three through seven. <br/><br/>Apple TV+ offers premium, compelling drama and comedy series, feature films, groundbreaking documentaries and kids and family entertainment, and is available to watch across all of a user’s favorite screens. After its launch on November 1, 2019, Apple TV+ became the first all-original streaming service to launch around the world and has premiered more original hits and received more award recognitions faster than any other streaming service in its debut. To date, Apple Original films, documentaries and series have earned 488 wins and 2,143 award nominations and counting, including multi-Emmy Award-winning comedy “Ted Lasso” and historic Oscar Best Picture winner “CODA.”
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Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
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