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The Bear Story, That Alex Yist Maked Up His Own Se'f<br/><br/>James Whitcomb Riley story<br/><br/>Harry E. Humphrey recites<br/><br/>Victor 35378<br/><br/>1914<br/><br/>W’y, wunst they wuz a little boy went out<br/>In the grea’ big woods to shoot a bear, -- an’ he’<br/>Wuz goin’ along – an’ goin’ along, you know,<br/>An’ purty soon he heered somepin’ go “Wooh!”<br/>An’ he wuz skeered, he wuz.<br/>An’ so he runned an’ clumbed a grea’ big tree –<br/>A sicka-more tree.<br/>An’ nen he heerd it ag’in; an’ he looked ‘round,<br/>An’ ‘t’uz a grea’ big shor—‘nuff bear!<br/>No! ‘T’uz two bears, it wuz –<br/>But – No, ist one’s a grea’ big bear.<br/>An’ they ist boff went “Wwooh!”<br/>An’ nen the little boy<br/>He ‘uz skeered worse’n ever, cuz here come<br/>The grea’ big bear a-climbin’ th’ tree to git<br/>The little boy an’ eat him up – Oh, no! –<br/>It ‘uz the little bear. So here he come<br/>Climbin’ the tree – an’ climbin’ the tree! Nen when<br/>He git wite clos’t the little boy he ist pulled up his gun<br/>An’ shot the bear an’ killed him dead!<br/>An’ nen the bear he falled plum down<br/>An’ lit wite side o’ where big bear’s at.<br/>An’ nen the big bear’s awful mad,<br/>An’ so here he come a’climbin’ up – an’ up the tree, to git<br/>The little boy an’ eat him up! An’ so the little boy –<br/>He ‘uz badder skeered, he wuz, than any time –<br/>He clumbed on higher an’ higher, an’ higher up the tree –<br/>An’ when the old bear ‘uz wite clos’t to him –<br/>Nen the little boy ist jabbed his gun wite in the old bear’s mouf –<br/>An’ shot and killed him dead! –<br/>No! I forgot – He didn’t shoot the grea’ big bear at all –<br/>Cuz they ‘uz no load in the gun, you know –<br/>‘Cuz when he shot the little bear, w’y nen<br/>No load ‘uz any more in the gun!<br/>But th’ little boy clumbed higher up, he did –<br/>Till he ist can’t climb no higher,<br/>So when th’ old bear’s reel clos’t – the<br/>Little boy ist gives a grea’ big jump for ‘nother tree –<br/>No! – no, he don’t do that! -- I tell y ou what the<br/>Little boy does: -- W’y, nen – w’y, he – Oh, yes! –<br/>The little boy he finds a hole up there – an’ climbs<br/>In there an’ hides – An’ nen th’ old bear can’t find<br/>The little boy at all! -- But purty soon the old bear finds<br/>The little boy’s gun ‘at’s up there – ‘cause the gun<br/>It’s too tall to tooked wiv him in the hole.<br/>An’ the old bear ‘gins to snuff an’ sniff around,<br/>An’ sniff an’ snuff around – so’s he kin find<br/>Out where the little boy’s hid at.<br/>An’ nen – nen – Oh, yes! -- W’y, purty soon the old bear climbs<br/>‘Way out on a grea’ long limb,<br/>An’ takes his ax an’ chops the limb off! … Nen<br/>The old bear falls ker-splunge! Clean to the ground,<br/>An’ bust an’ kill hisse’f plum dead, he did!<br/>An’ nen the little boy he git his gun<br/>An’ ‘menced a-climbin’ down the tree ag’in –<br/>No! – no, he didn’t git his gun – ‘cuz when<br/>The bear falled, nen the gun falled too, -- An’<br/>Broked it all to pieces, too!<br/>An’ the little boy ist cried, an went on climbin’<br/>Down the tree – When he ‘uz purt’ nigh down, --<br/>W’y, nen, the old bear he jumped up ag’in! – an’ he<br/>Ain’t dead at all – ist ‘tendin’ thataway<br/>So he kin git the little boy and eat him up!<br/>An’ he ist won’t go ‘way an’ let the litt
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Night Trip To Buffalo, talking, vaudeville, once-popular comic routine on early Columbia 7-inch disc
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Roger Wolfe Kahn & His Orchestra play \
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HIS CONVICTION DOES NOT NEED EYES. HIS VISION IS HIS IDENTITY ITSELF! PRESENTING THE OFFICIAL TRAILER OF THE FILM SRIKANTH. STARRING RAJKUMMARRAO, JYOTIKA AND ALAYA<br/><br/>GULSHAN KUMAR & T-SERIES PRESENT <br/>A T-SERIES FILMS & CHALK N CHEESE FILMS PRODUCTION<br/><br/>RAJKUMMARRAO IN #SRIKANTH <br/><br/>IN CINEMAS NEAR YOU, ON 10th MAY! <br/><br/>CREDITS:<br/>CAST : RAJKUMMAR RAO, JYOTIKA, ALAYA F, SHARAD KELKAR, JAMEEL KHAN <br/>DIRECTED BY: TUSHAR HIRANANDANI<br/>PRODUCED BY: BHUSHAN KUMAR, KRISHAN KUMAR & NIDHI PARMAR HIRANANDANI<br/>CO-PRODUCER: SHIV CHANANA<br/>PRESIDENT (T-SERIES): NEERAJ KALYAN<br/>WRITER: JAGDEEP SIDDHU & SUMIT PUROHIT<br/>DIRECTOR OF PHOTOGRAPHY: PRATHAM MEHTA<br/>EXECUTIVE PRODUCER: AJEET SINGH<br/>EDITOR: DEBASMITA MITRA & SANJAY SANKLA<br/>MUSIC: ANAND MILIND, TANISHK BAGCHI, SACHET-PARAMPARA, VED SHARMA<br/>LYRICS: MAJROOH SULTANPURI, ANAND MILIND, SHLOKE LAL, YOGESH DUBEY & KUNAAL VERMA<br/>COSTUME DESIGNER: ROHIT CHATURVEDI<br/>KEY MAKEUP: DESIGNER PATTANAM RASHEED<br/>SOUND DESIGNER: P M SATHEESH, MANOJ M GOSWAMI<br/>PRODUCTION DESIGN: TANVI LEENA PATIL<br/>ORIGINAL BACKGROUND SCORE: ISHAAN CHHABRA<br/>ACTION DIRECTOR: AEJAZ GULAB<br/>LINE PRODUCER: GAURAV RAJAIN<br/>CASTING DIRECTOR: ABHIMANYU RAY<br/>ASSOCIATE DIRECTORS: KUNAL GUPTA, SHIVRAJ WAICHAL<br/>CHOREOGRAPHER: PUNIT J PATHAK<br/>POST PRODUCTION: THE POST CO<br/>PROJECT HEAD (T-SERIES): HEETT SAVLA<br/>FILM & CONTENT TEAM (T-SERIES): ALOK KUMAR SHUKLA, SHRADDHA SHRIKANT GHANEKAR. MEGHHA CHHEDA<br/>MARKETING & PROMOTIONS (T-SERIES): SHIVAM CHANANA, RAJ CHANANA, PRASHANT SHETTY, MITA CHOUDHARY, RAHUL DUBEY, AMOL BHAMARE, HEETT SAVLA<br/>MUSIC ON: T-SERIES<br/>MUSIC TEAM (T-SERIES): RAJ CHANANA, SHIVAM CHANANA, SONAL CHAWLA, SONU SRIVASTAVA, VIVIN SACHDEVA<br/>DI: PRIME FOCUS<br/>VFX: POST HOUSE<br/>PR AGENCY: COMMUNIQUE FILM PR<br/>DIGITAL MARKETING: WHITE RIVERS MEDIA<br/>PUBLICITY DESIGN: MANTRAA LUMINOSITY<br/>VISUAL PROMOTIONS: JUST RIGHT STUDIOZ NX
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Edison Male Quartet<br/><br/>Edison Quartet sings a medly of four tunes popular over a century ago.<br/><br/>“Good Old Songs” <br/><br/>Edison Gold Moulded Record 9384 <br/><br/>1906<br/><br/>1) \
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But de Muhammed H - Team A from purnima h
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NBA H-O-R-S-E could have been so much better
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But de Yassmina H - Team A from purnima h
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Shylock's rebuke from The Merchant Of Venice by Shakespeare<br/><br/>Recited by Frank Burbeck <br/><br/>Victor 17163<br/><br/>1912<br/><br/>Spoken by Shylock<br/><br/>Act 1, Scene 3<br/><br/>Signior Antonio, many a time and oft<br/>In the Rialto you have rated me<br/>About my moneys and my usances:<br/>Still have I borne it with a patient shrug,<br/>For sufferance is the badge of all our tribe.<br/>You call me misbeliever, cut-throat dog,<br/>And spit upon my Jewish gaberdine,<br/>And all for use of that which is mine own.<br/>Well then, it now appears you need my help:<br/>Go to, then; you come to me, and you say<br/>‘Shylock, we would have moneys:’ you say so;<br/>You, that did void your rheum upon my beard<br/>And foot me as you spurn a stranger cur<br/>Over your threshold: moneys is your suit<br/>What should I say to you? Should I not say<br/>‘Hath a dog money? is it possible<br/>A cur can lend three thousand ducats?’ Or<br/>Shall I bend low and in a bondman’s key,<br/>With bated breath and whispering humbleness, Say this;<br/>‘Fair sir, you spit on me on Wednesday last;<br/>You spurn’d me such a day; another time<br/>You call’d me dog; and for these courtesies<br/>I’ll lend you thus much moneys’?<br/><br/>Bassanio has no money but he needs money so he can woo Portia, so Bassanio turns to his friend Antonio for a loan.<br/><br/>Antonio has invested his own money in ships and cannot furnish his friend with money, so he hopes to help Bassanio by going to Shylock for a loan.<br/><br/>Shylock is Jewish. The others are Christian.<br/><br/>Shylock is bitter that he is asked for money after being badly treated by Antonio in the past.<br/><br/>That bitter feeling is the basis for this famous monologue.
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Label adds \
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Al Bowlly sings <br/><br/>\
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