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_the-house-where-death-lives-1981-vinegar-syndrome-blu-ray-promo-trailer.webp "The House Where Death Lives is available now on Blu-ray from Vinegar Syndrome!<br/>https://vinegarsyndrome.com/products/the-house-where-death-lives<br/><br/>Meredith Stone, a home care nurse, has been assigned the duty of looking after a wealthy invalid named Ivar Langrock. Cooped up in Langrock's stately country mansion, Meredith quickly suspects that someone sinister is lurking in the manor's dark halls only to discover that Ivar's demented and violent son has been locked away in a hidden room. Shortly thereafter, Ivar's grandson Gabriel also moves into the house and with his arrival a mysterious killer soon begins murdering members of the Langrock family along with their live-in staff.<br/><br/>An unjustly obscure early slasher made while the genre was still discovering and establishing its key tropes, Alan Beattie's THE HOUSE WH3R3 DEATH LIVES (aka Delusion) offers a twisted murder mystery which bridges the more nuanced and character-driven thrillers of the 70s with the stalk-and-slash structure of the early 80s. Starring Patricia Pearcy (Squirm) and John Dukakis (Jaws 2) along with Hollywood legend Joseph Cotten (The Third Man), Vinegar Syndrome is proud to bring this hidden gem of spooky-old-house atmosphere and blood-soaked mayhem to Blu-ray, newly restored in 4K from its 35mm camera negative and presented in its longest and most complete version ever released on home video.<br/><br/>directed by: Alan Beattie<br/>starring: Patricia Pearcy, John Dukakis, Joseph Cotten, David Hayward, Alice Nunn, Patrick Pankhurst<br/>1981 / 91 min / 1.85:1 / English DTS-HD Master Audio Mono<br/><br/>Additional info:<br/><br/> • Region A Blu-ray<br/> • Newly scanned and restored in 4K from its 35mm original camera negative<br/> • Commentary track with The Hysteria Continues!<br/> • Dear John (19 min) - an interview with actor John Dukakis<br/> • Stuck in That House (15 min) - an interview with actor David Hayward<br/> • Mad House (25 min) - author Stephen Thrower on The House Where Death Lives<br/> • Reversible sleeve artwork<br/> • English SDH subtitles")
_it-gotta-smell-crazy-in-there-couple-caught-smashing-inside-car-with-no-tent.webp "Out Da SocketTV")
_schoolteachers-caught-by-security-camera.webp "go4gideon")
_ultimate-guide-to-scene-transitions-every-editing-transition-explained-the-shot-list-ep-9-1080p-24fps-h264-128kbit-aac.webp "In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.")
_hidden-camera-video-hot-girl.webp "Kusum Lata")
_cctv-kiss-bollywood-kiss-hot-video-desi-couplegoals-couple.webp "r b")
_harley-davidson-special-showbike-custom-spectacula-aampt-design.webp "This bike was completely designed on the drawing board. The important thing was not to follow any trend, but to give form and execution its own signature. There was no framework! TÜV? Fuck it all! Are there any customers for this? No matter! Too costly, too expensive? So what!<br/><br/>Only the goal was clear: “Absolutely awesome”.<br/><br/>From the first sketch to the start of construction about 6 months passed. The construction time even to the ready to drive blank was 4 months. Another month was needed for paint, chrome and final assembly.<br/>The controls such as throttle, clutch, brake, gearshift and air suspension were not visibly integrated into fork and frame. The result was a super clean overall impression, which is not distracted by screws, cables or lines from the design. Consciously creates the impression that it is an inedible study.<br/>Design highlight and technology center is certainly the fork.<br/>Frame and fork bridges merge together in a previously unknown way.<br/>At the same time, the entire operating technique is hidden in the upper triple clamp.<br/>The Spectacula is driven and braked by an equally invisible friction roller drive with intermediate gear.<br/><br/>The front brake pipe was integrated into the standpipe. The technology was developed by BIGS – NL.<br/><br/>Air suspension at the front and rear lets the bike lift for driving.<br/>Considering that everything was made in-house (from the framework to the body work to the 3D milling work) one can imagine that it was a tremendous show of strength for us. It was difficult that we also built our new Harley-Davidson store at the same time.<br/>Our goal was to drive the bike into the shop on the opening day.<br/>The biggest challenge for this project was its own claim: absolute high – end.<br/>The paint system is from Kruse Design. The paint is 28 layers thick and interspersed with different sized metal pigments (Multishape by House of Coulor). All stripes are hand-lined (pinstriping).<br/>Winning the title means a lot to us all here: it’s the reward for the hard work of the past few weeks. Many customers come from far away to see this bike. To experience something so positive in this day and age is something very special and motivates the whole team to continue on our way.<br/><br/>- Base Thunderbike Spectacula Frame 2005<br/>- Construction Time 5 Months<br/>- Engine TP Pro Serie<br/>- Capacity 124<br/>- Power 120 PS<br/>- Carburetor Mikuni 45mm HSR<br/>- Air Cleaner Thunderbike Freestyle<br/>- Ignition Thunderbike Single Fire<br/>- Exhaust Thunderbike<br/>- Gear Rev-Tech 5-Speed<br/>- Hydraulic Swivel Clutch<br/>- Primary NH Power Thunderbike Design<br/>- Secondary Intermediate Gear and Friction Roller<br/>- Painting by Ingo Kruse / Kruse Design<br/>- Chrome Alu Concept<br/>- Rake 50°<br/>- Frame Height minus 2“<br/>- Frame Lenght plus 6“<br/>- Swingarm Thunderbike<br/>- Suspension Thunderbike Air Ride<br/>- Fuel Tank Thunderbike Spectacula<br/>- Footoegs Thunderbike Spectacula<br/>- Fenders Thunderbike / Pinguin<br/>- Electric Thunderbike<br/>- Headlamp Thunderbike Spectacula<br/>- Taillight and Side Mount License Plate Paul Yaffe<br/>- Seat Autosat")
_kisses-in-the-elevator-surveillance-camera.webp "TopVideoNet")
_strauss-kahn-hotel-sex-video-security-cam.webp "glozzertv")
_shocking-moments-caught-on-cctv-she-made-a-huge-mistake.webp "Ultra Shorts")
_girlfriend-caught-her-boyfriend-cheating-on-her.webp "Alesia XinXin")
_somebody-tried-to-have-sex-on-my-car-they-got-caught-on-my-ring-camera.webp "FERGUNIZED - Traveling Music Producer")
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