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‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But
⏲ 2:8:9 👁 9.7M
V Horror
⏲ 1 hour 27 minutes 40 seconds 👁 2M
The Dubber From Mars
⏲ 1 minute 37 seconds 👁 244.9K
45 MINS x 8 EPS.| 2024 | FAMILY,<br/><br/>DIRECTOR:TENG CONG-CONG<br/>CAST: MA YI-LI, ZHOU YI-RAN, YU SHI, HUANG XIAO-JUAN<br/><br/>Li Wenxiu, a Han girl who grew up in a small village in Altay, is determined to pursue her literary dream in a big city. However, she repeatedly faces obstacles and is forced to return to her hometown, where she relies on her mother's provision store for a living. After getting acquainted with a Kazakh boy Batay, Wenxiu gradually discovers the beauty of the local area and follows a nomadic Kazakh family into the pastoral area. Life in the pastoral area is very difficult, but Wenxiu, who is pursuing her dreams wholeheartedly, finds creative inspiration in the magnificent nature of northern Xinjiang, and gradually develops feelings for Batay. Unfortunately, her romantic endeavors are fraught with setbacks, and she hesitates to express her true feelings, leading to numerous misunderstandings with Batay. Under constant cultural collision and natural enlightenment, Wenxiu confronts her inferiority complex and figures out where she truly belongs and who she really is. In the end, Wenxiu musters up the courage to confess to Batay and her love is reciprocated, and her literary work is also finally published. .
⏲ 0:41 👁 1.5M
Rick Astley
⏲ 3 minutes 33 seconds 👁 766.4M
Sr Pelo
⏲ 1 minute 29 seconds 👁 1.1M
A 10-year-old girl has been killed in a house fire that left three other children and a woman injured.<br/><br/>Police were called to a blaze at 1.08 this morning (May 5) on Kingsdale Drive in Bradford, West Yorkshire.<br/><br/>A woman and three other children managed escape the house just after 01:05 and were rushed to hospital for treatment, however the girl was pronounced dead at the scene.<br/><br/>West Yorkshire Police confirmed the other fours’ injuries were not believed to be life-threatening. <br/><br/>In a statement, they said: \
⏲ 1:6 👁 8.2M
MostAmazingTop10
⏲ 1 hour 8 minutes 21 seconds 👁 115.3K
tomatoanus
⏲ 19 minutes 27 seconds 👁 527.2K
Madness ensues when a 'Player' in the world of romantic relationships finds a girl who's a worthy opponent. Tu Jhoothi Main Makkaar is a film that believes Love is a battle of wits.<br/>Mickey, a carefree businessman and womaniser, helps couples break up. However, things change for him when he falls for Tinni, a witty and beautiful chartered accountant.<br/>Cast: Ranbir Kapoor, Shraddha Kapoor, Anubhav Singh Bassi, Dimple Kapadia, Boney Kapoor<br/><br/>In a normal universe, Tu Jhoothi Main Makkaar is about a ‘boy’ and a ‘girl’ who fall in love only to realize that they want different things from life. Breaking up is a problem because they’re not Gen Z enough to ghost each other. At most, they hang around in the relationship until the love dissipates. Anything to not have “the talk”. In this normal universe, the film is certainly not called Tu Jhoothi Main Makkaar, or anything on the lines of Sonu Ke Titu Ki Pyaar Ka Punchnama. But in Luv Ranjan’s universe, this same story is a bitter battle of sexes between a good-looking boy and a gorgeous girl who tries to leave him because – horror of horrors – she likes her independence and his family is too overbearing.<br/><br/>You can’t say Ranjan isn’t trying. If anything, this is him reacting to the criticism – that is, the (correct) accusations of casual misogyny bubble-wrapped in crowd-pleasing comedy – of his previous movies. You see, the women in those movies (Pyaar Ka Punchnama, Sonu Ke Titu Ki Sweety) were scheming, conniving caricatures who forced their boyfriends to choose between bromance and romance. Love was a messy war of ownership. But here, the conflict is centered on the woman’s inability to be cruel and manipulative; she is too evolved to be the quintessential Luv Ranjan heroine. (Coincidentally, actress Shraddha Kapoor’s breakout film, from 2011, was called Luv Ka The End). Her Nisha in this film is so nice that, rather than force poor Rohan (Ranbir Kapoor) to choose between his family and her, she attempts to do the nobler thing: Gaslight him into believing he’s the issue. Nisha would rather have Rohan reject her than the other way around. You see, her dishonesty is merely an expression of compassion. This is Luv Ranjan being progressive.<br/><br/>Never mind that Rohan, like his Kartik Aaryan-esque predecessors, decides to turn her predicament into a game. At stake is the incorruptible Indian idea of marrying not just the person, but also the family. In the pink corner lies Rohan’s courage to go from cold Casanova to heartbreaking martyr, and his pride of being a Momma’s Boy. In the blue corner lies Nisha’s reluctance to sacrifice her own ambitions at the altar of Rohan’s Barjatya-shaped love. There can be only one winner. At one point, he subjects Nisha to a sexist rant about women and jobs – except that he’s only pretending to be a horrible man. He’s pretending to be a Kabir Singh so that nobody blames her. For a moment, I was almost impressed by Luv Ranjan’s self-awareness to use toxic masculinity as a smokescreen.
⏲ 2:39:15 👁 835K
Legsplay
⏲ 38 minutes 42 seconds 👁 643
penguinz0
⏲ 1 hour 7 minutes 33 seconds 👁 186.4K
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