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![THREE ALBUMS INTO his career, Conan Gray wrote what he calls his “first ever love song,” a lovelorn ballad titled “Alley Rose” from Found Heaven. The 25-year-old musician had written about love before, but not from the perspective of having truly been put through the emotional wringer by way of a real, reciprocated relationship. On the latest episode of Rolling Stone‘s The Breakdown, Gray delves into how “Alley Rose” — written on his own and produced by Greg Kurstin — emerged as the one song on the album that details the aftermath of the crush he spent most of the record singing about.<br/><br/>“I don’t really write about things immediately after they happen,” Gray explains. “After I have enough perspective, then I start to write about situations in a way that’s more accurate to how I felt rather than just like, ‘Fuck you!’ It’s a lot more nuanced when I give myself time to write about something.”<br/><br/>Gray had written entire albums about crushes, unrequited feelings, and internal reflections before — his 2020 debut Kid Krow and 2022’s Superache — but he wasn’t prepared for the way heartbreak could bulldoze his process. “[“Alley Rose”] made it on the album very much at the very, very end, because I hadn’t really been planning on writing about a breakup until I got broken up with,” he says. “And then I was depressed for seven months and didn’t write and couldn’t work because I was severely ill.”](https://cdn6.mypornvid.fun/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KDzkLEGSwDJgOLz5YFGqlpF9-ZwDjXFfbXR15HT9loyMcMP5zqJ-cK3tlAQN5v7P/(MyPornVid.fun)_the-breakdown-conan-gray-on-39alley-rose39.webp "THREE ALBUMS INTO his career, Conan Gray wrote what he calls his “first ever love song,” a lovelorn ballad titled “Alley Rose” from Found Heaven. The 25-year-old musician had written about love before, but not from the perspective of having truly been put through the emotional wringer by way of a real, reciprocated relationship. On the latest episode of Rolling Stone‘s The Breakdown, Gray delves into how “Alley Rose” — written on his own and produced by Greg Kurstin — emerged as the one song on the album that details the aftermath of the crush he spent most of the record singing about.<br/><br/>“I don’t really write about things immediately after they happen,” Gray explains. “After I have enough perspective, then I start to write about situations in a way that’s more accurate to how I felt rather than just like, ‘Fuck you!’ It’s a lot more nuanced when I give myself time to write about something.”<br/><br/>Gray had written entire albums about crushes, unrequited feelings, and internal reflections before — his 2020 debut Kid Krow and 2022’s Superache — but he wasn’t prepared for the way heartbreak could bulldoze his process. “[“Alley Rose”] made it on the album very much at the very, very end, because I hadn’t really been planning on writing about a breakup until I got broken up with,” he says. “And then I was depressed for seven months and didn’t write and couldn’t work because I was severely ill.”")
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_train-to-busan-full-movie-with-english-sub--.webp "Yeon Sang-ho’s “Train to Busan” is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. For decades, movies about the undead have essentially been built on a foundation of fear of our fellow man—your neighbor may look and sound like you, but he wants to eat your brain—but “Train to Busan” takes that a step further by building on the idea that, even in our darkest days, we need to look out for each other, and it is those who climb over the weak to save themselves who will suffer. Social commentary aside, it’s also just a wildly fun action movie, beautifully paced and constructed, with just the right amount of character and horror. In many ways, it’s what “World War Z” should have been—a nightmarish vision of the end of the world, and a provocation to ask ourselves what it is that really makes us human in the first place.<br/><br/>ADVERTISEMENT<br/><br/>Seok-woo (Gong Yoo) is a divorced workaholic. He lives with his mother and barely spends any time with his daughter Su-an (Kim Su-an). He’s so distant from her that he buys her a Nintendo Wii for her birthday, ignoring that she has one already, and that he’s the one who bought it for her for Children’s Day. To make up for this rather-awkward moment, he agrees to give Su-an what she really wants—a trip to her mother’s home in Busan, 280 miles away. It’s just an hour train ride from Seoul. What could possibly go wrong? Even the set-up is a thematic beauty, as this is more than just a train ride for Seok-woo and Su-an—it’s a journey into the past as a father tries to mend bridges and fix that which may be dead. It’s a perfect setting for a zombie movie.<br/><br/><br/>The 14 Scariest Mythological Monsters In Horror Movies<br/>Before they even get to their early-morning train ride, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. When they get to the train, Sang-ho beautifully sets up his cast of characters, giving us beats with the conductors, a pair of elderly sisters, a husband and his pregnant wife, an obnoxious businessman (a vision of Seok-woo in a couple decades), and even a baseball team. A woman who’s clearly not well gets on the train just before it departs, and just as something else disturbing but generally unseen is happening in the station above the platform. Before you know it, the woman is taking out the jugular of a conductor, who immediately becomes a similarly mindless killing machine. These are zombies of the “28 Days Later” variety—fast, focused, and violent. They replicate like a virus, turning whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. They are rabid dogs. And you thought your Metra commute was bad")
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