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_football-transfer-news-june-1-2024.webp "The summer window is edging ever closer as teams across the Premier League and beyond are stepping up their efforts to bolster squad. Arsenal are once again expected to spend big, with a new striker top of the agenda. Alexander Isak is the dream signing, but Benjamin Sesko or Joshua Zirkzee appear more realistic. A midfielder is also wanted, with Isak's Newcastle team-mate Bruno Guimaraes a key target, along with Monaco's Youssouf Fofana.")
_slugterra-ghoul-from-beyond-124-full-movie.webp "Slugterra - WildBrain")
_slugterra-124-the-complete-season-2.webp "Slugterra - WildBrain")
_physically-disabled-artists-speak-about-feeling-ostracised-within-the-art-world.webp "By JOHN DEVLIN and MARTYN McLAUGHLIN<br/><br/>Disabled artists across Scotland have called on venues, curators, and further education bodies involved in the visual arts scene to make widespread improvements around access and representation, with several practitioners warning of a lack of understanding of the barriers facing artists and audiences at cultural spaces.<br/><br/>A new documentary for The Scotsman, filmed and produced by John Devlin, reveals how some physically disabled artists have been unable to attend venues due to a lack of disabled access, and left feeling “unwelcome” due to the restrictions in place. They have questioned whether organisations unable to stage accessible exhibitions should continue to receive public funding, and warned the knock-on effect of a lack of representation could discourage young disabled Scots from pursuing a career in the arts.<br/><br/>The issues around accessibility and representation have flared up ahead of the upcoming Glasgow International festival of contemporary art. The programme for the prestigious biennial event includes an exhibition at the Celine Gallery, located on the the third floor of a tenement building in the city’s southside, accessible only by three flights of stairs. One artist, Penny Anderson, described that decision as “wrong.”<br/><br/>The Glasgow-based artist and sculptor, who has multiple sclerosis, said it was unclear who, if anyone, was responsible for ensuring such exhibitions were accessible, and was left frustrated after raising the issue with Glasgow Life, councillors in the city, and Creative Scotland.<br/><br/>Under the Equality Act 2010, art galleries are required to make “reasonable adjustments,” if asked, to ensure that disabled people can use its services. Ms Anderson said the legislation should be followed by Glasgow International. “They have to make reasonable adjustments to allow inclusion, and I think a reasonable adjustment is only including accessible galleries,” she explained.”<br/><br/>Ms Anderson told The Scotsman the accessibility issues went beyond any one gallery, and said there was a widespread lack of knowledge across the sector about how to include disabled artists and visitors. “They don’t understand the different levels of mobility impairment of physical disability,” she added. “I’ve had people say, ‘But we’ve got a ramp’. Ramps make my life even harder. What I need is stairs and a handrail. Even if you have a ramp, wheelchairs might not be able to use the ramp, and I think people think they know, and just assume they know, but they don’t actually ask disabled people.”<br/><br/>Ruth Mutch, an illustrator, who is autistic and has Hypermobile Ehlers-Danlos syndrome - a condition that affects the joints, causing hypermobility, digestive problems and joint pain as well as extreme fatigue - echoed Ms Anderson’s concerns, recounting her experience at college where she was unable to access materials without assistance.<br/><br/>")
_slugterra-124-ghoul-from-beyond.webp "Slugterra - WildBrain")
_slugterra-ghoul-from-beyond-meet-the-dark-slinger.webp "Slugterra - WildBrain")
_glasgow-school-of-art-degree-show-2024.webp "GSA Degree Show 2024 runs from 31 May to 9 June across the GSA Glasgow Campus in Garnethill. The GSA’s Master of Fine Art Degree Show opens on 30 May – 9th June at Glue Factory.<br/>The Glasgow School of Art (GSA) Degree Show 2024 opens to the public on Friday 31 May where a new generation of students will showcase their innovation, creativity and energy in what is Glasgow’s largest public exhibition of work. The physical show will run alongside an expansive digital showcase, which launches live on 30 May.<br/>Over 600 students from across the GSA’s four schools – fine art, design, architecture and innovation and technology will exhibit work that addresses the contemporary landscape they will face as they start their creative careers - from AI, web3, identity and representation, the climate emergency to health and wellbeing.<br/>The show not only celebrates the achievements of the graduates but also emphasises the importance of creativity and innovation in addressing current societal challenges. From product design engineering and interaction design to painting and printmaking, the range of<br/>projects on display highlights the students' ability to tackle complex issues and pushboundaries across disciplines.<br/>This year’s Degree Show campaign features Spider Lily, a font made by Year 4 Communication Design graduating student Nikos Ho.<br/>Nikos’ font, the ethereal and fragile Spider Lily is based on his observations of forms from the Singapore cityscape. Introduced to the island as an ornamental plant, the Spider Lily found an ideal habitat in Singapore’s tropical climate and it has embraced for its beauty in the city’s urban landscape. The naturalisation of the spider lily in Singapore mirrors the diverse migrant population that has settled on the island, integrating into its social fabric, enriching the island’s landscape and identity.<br/>Professor Penny Macbeth, Director of The Glasgow School of Art said:<br/>\")
_slugterra-124-ghoul-from-beyond-part-1-124-full-episode.webp "Slugterra - WildBrain")
_the-journey-ends-here-for-now-124-slugterra-season-1-finale-compilation.webp "Slugterra - WildBrain")
⏲ 1 hour 47 minutes 37 seconds 👁 185.4K
_meet-the-makers-the-sheffield-womenswear-designer-with-fashion-in-her-blood.webp "Our choice of clothes helps to define how we think of ourselves and how we think of others.<br/>An outfit can suggest social status, political beliefs, a certain taste in music and even our mood on any given day - there’s always story<br/>behind the clothes we wear.<br/>It’s one of the reasons Harriet Eccleston, whose clothing brand goes by the same name, felt compelled to continue in a family tradition of tailors, drapers and milliners stretching back generations.<br/>“It’s quite a personal thing,” she said. “The garments that you wear are one of the first things that people see about you and I guess (they) interpret your characteristics or your personality through your choice of clothing and that has always interested me - the emotion, the personality that clothes can bring out.”<br/>Working out of her one room workshop in the Albyn Works, a former<br/>factory building in Sheffield’s Kelham Island, Harriet creates<br/>womenswear with sustainability and heritage at its core.<br/>From ideation and fabric cutting all the way through to hand stitching buttons and packaging items, Harriet’s head, heart and hands are behind it all.<br/>The finest British cottons and wools are taken and combined with a soft colour palette to create elegant garments with a classic versatility.<br/>Yet the reason Harriet’s creations stand out is beyond their aesthetic.<br/>Examine them more closely and you find storytelling and tradition woven into every piece.<br/>The influence of Harriet’s ancestry is evident throughout her business.<br/>“Fashion is in my blood, their stories are in my heart,” reads her website.<br/>Scattered amid the fabric swatches and sketches on the work surfaces and pin boards of her workshop are black and white photos of a moustachioed man immaculately turned out regardless of the scene he appears in.<br/>The man’s name is E.D. Soulsby and he’s Harriet’s great great<br/>Grandfather. <br/>In the late 1800s and early 1900s, Soulsby, owned and ran a menswear shop in the industrial heartlands of Northumbria.<br/>“It was in the family for generations - everybody mucked in and was part of it.<br/>“My granny spent a lot of time there until she was married and she told me a lot of stories. <br/>“They specialised in quality menswear clothing and the idea was they were pieces that would last.”")
_return-of-the-elementals-part-2-full-episode-124-slugterra-season-2-124-episode-4.webp "Slugterra - WildBrain")
⏲ 21 minutes 46 seconds 👁 245.1K
_slugterra-ascension-124-episode-10-fire-inside.webp "Slugterra - WildBrain")
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