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Hieu was one of the world’s most prolific and hunted criminals from 2007 to 2013, when he operated a massive international identity theft scheme from his home in Vietnam. His method was to steal personally identifiable information (names, Social Security numbers, bank account data) and sell it to become rich. 100,000 USD a month rich; 900 x the average Vietnamese monthly salary at the time. Hieu was pursued relentlessly by the Secret Service, until his eventual capture in Guam in 2013. After years in prison, he was granted early release, returning him to his family in Saigon. In that time he transformed, in spirit and ethics, which led to his current role with the Vietnamese government capturing criminals just like his former self. This is his story, and his incredible redemptive arc.<br/><br/>Produced by<br/>EST Media<br/>Booncha Studio<br/><br/>Executive Producer<br/>Bao Nguyen<br/><br/>Directors<br/>Paul Vi Minh<br/>Keshia Hannam<br/><br/>Cinematographers<br/>Ha Hoang<br/>Truong Trong Tan<br/><br/>Producers<br/>Paul Vi Minh<br/>Tram T N Pham<br/><br/>Production Manager<br/>Khoi Nguyen<br/><br/>Production Assistants<br/>Cham Nguyen<br/>Ha Phan<br/>Phan Van Chiem<br/><br/>Gaffer<br/>Phan Van Chiem<br/><br/>Camera Operator<br/>Dang Thinh<br/><br/>Focus Puller<br/>Huy Phung<br/><br/>Assistant Cameras<br/>Vo Hien Cuong<br/>Nguyen Hoang<br/>Ly Hoai Nhon<br/>Phan Duc Anh<br/><br/>Grips<br/>Dinh Hoang Duy<br/>Nguyen Nhat Khoa<br/><br/>Sound<br/>Nguyen Ngoc Hung<br/>Nhanh Tran<br/><br/>Location Manager<br/>Phi Cao<br/>Shooting Co., Ltd<br/><br/>Equipment<br/>TL Production<br/>Bau House<br/><br/>Make Up Artists<br/>Vu Thi Nguyen<br/>Trang Emj<br/><br/>Transport<br/>Hai Minh<br/><br/>Editor<br/>Quang Vu<br/><br/>Colorist<br/>Truong Quoc Phuong (Erik)<br/><br/>AI Illustration Composer<br/>Lam Vinh<br/><br/>Animators<br/>Ho Sy Minh<br/>Tobe T Nguyen<br/><br/>Editor in Chief<br/>Keshia Hannam<br/><br/>Head of Production<br/>Stephanie Tangkilisan<br/><br/>Post Production Coordinator<br/>Skolastika Lupitawina<br/><br/>Assistant Editor<br/>Rendy Abi<br/><br/>Audio & Music Supervisor<br/>Mike Pham<br/><br/>Music Producer & Composer<br/>An Nam - Thao Mess<br/><br/>Special Thanks<br/>Doan Quynh Huong<br/>Dex Nguyen<br/>Mai Huong<br/>Gia Huy<br/>Duc Hieu<br/>Nguyen Boi Quynh<br/>Ngo Trong Can
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Vibe Music
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speedoru
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In the second in our Meet the Makers series Matt Stephenson visit Treske Furniture in Thirsk.<br/><br/>There’s a timeless spirit about the towns and villages in the Hambleton and Ryedale districts of North Yorkshire: despite the traffic that zooms through on the busy ‘A’ roads, there’s a feeling that the Kilburn White Horse looks down on the landscape and sees that not everything has changed.<br/>A certain constancy and a respect for tradition underpin the work of Thirsk-based furniture company Treske - and a definite ‘Yorkshire-ness’ too.<br/><br/>“We’re a small company, everybody knows everybody here,” explains CEO Justin Bartlett. “We’re part of the fabric of the town, most of our people live here, we’re an important part of the community and that keeps us rooted in the locality.”<br/><br/>Treske was established in 1973 by ex-Ampleforth College pupil John Gormley – who, despite being a Londoner by birth, found his spiritual home under the gaze of the monumental White Horse and decided to establish his business in Thirsk.<br/><br/>Thirsk appears in the Domesday book as Tresche, the name deriving from the Old Norse for fen or lake. Tresche /Treske/ Thirsk – are different ways of spelling the same thing.<br/><br/>The influence of the Benedictine monks at Ampleforth was clear in Gormley’s approach at Treske, a sense of the Benedictine values of community, stewardship, hospitality and discipline being at the heart of the business, which still occupies the same old maltings that Gormley moved into more than 50 years ago.<br/><br/>In the late 1960s and early 1970s there was a growing interest in self-sufficiency and craft, and Treske can be seen broadly as part of that movement.<br/><br/>Local apprentices literally lived on the premises, learning age-old skills from time-served cabinet makers, eating with Gormley and family at the end of the day, sitting on Treske chairs at Treske tables and sleeping in Treske bunks.<br/><br/>The furniture itself was simple and elegant whilst being robust and well-made, Shakerish-style for a Yorkshire farmhouse, kind-of Habitat-meets-Ercol: “Yorkshire furniture for Yorkshire people with Yorkshire timber.”<br/><br/>Gormley was well-known around local markets and fairs, where he’d set up stall and sell direct to the public. Some years later, and a few miles up the A1 from Thirsk, Gormley’s youngest brother Anthony – also an old Ampleforthian - would also produce work that blended elements of the White Horse with certain religious overtones –  the Angel of The North quickly became one of the UKs most-loved works of public art.<br/><br/>In parallel with making furniture for the home, John Gormley also began to produce ecclesiastical furniture – again, the Ampleforth education clearly played a part, a feeling for church buildings being close to Gormley’s heart.<br/><br/>“It’s a side of the business which is still incredibly important to us today,\
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Abberdoodle_101
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Thought Slime
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Hieu was one of the world’s most prolific and hunted criminals from 2007 to 2013, when he operated a massive international identity theft scheme from his home in Vietnam. His method was to steal personally identifiable information (names, Social Security numbers, bank account data) and sell it to become rich. 100,000 USD a month rich; 900 x the average Vietnamese monthly salary at the time. Hieu was pursued relentlessly by the Secret Service, until his eventual capture in Guam in 2013. After years in prison, he was granted early release, returning him to his family in Saigon. In that time he transformed, in spirit and ethics, which led to his current role with the Vietnamese government capturing criminals just like his former self. This is his story, and his incredible redemptive arc.<br/><br/>Produced by<br/>EST Media<br/>Booncha Studio<br/><br/>Executive Producer<br/>Bao Nguyen<br/><br/>Directors<br/>Paul Vi Minh<br/>Keshia Hannam<br/><br/>Cinematographers<br/>Ha Hoang<br/>Truong Trong Tan<br/><br/>Producers<br/>Paul Vi Minh<br/>Tram T N Pham<br/><br/>Production Manager<br/>Khoi Nguyen<br/><br/>Production Assistants<br/>Cham Nguyen<br/>Ha Phan<br/>Phan Van Chiem<br/><br/>Gaffer<br/>Phan Van Chiem<br/><br/>Camera Operator<br/>Dang Thinh<br/><br/>Focus Puller<br/>Huy Phung<br/><br/>Assistant Cameras<br/>Vo Hien Cuong<br/>Nguyen Hoang<br/>Ly Hoai Nhon<br/>Phan Duc Anh<br/><br/>Grips<br/>Dinh Hoang Duy<br/>Nguyen Nhat Khoa<br/><br/>Sound<br/>Nguyen Ngoc Hung<br/>Nhanh Tran<br/><br/>Location Manager<br/>Phi Cao<br/>Shooting Co., Ltd<br/><br/>Equipment<br/>TL Production<br/>Bau House<br/><br/>Make Up Artists<br/>Vu Thi Nguyen<br/>Trang Emj<br/><br/>Transport<br/>Hai Minh<br/><br/>Editor<br/>Quang Vu<br/><br/>Colorist<br/>Truong Quoc Phuong (Erik)<br/><br/>AI Illustration Composer<br/>Lam Vinh<br/><br/>Animators<br/>Ho Sy Minh<br/>Tobe T Nguyen<br/><br/>Editor in Chief<br/>Keshia Hannam<br/><br/>Head of Production<br/>Stephanie Tangkilisan<br/><br/>Post Production Coordinator<br/>Skolastika Lupitawina<br/><br/>Assistant Editor<br/>Rendy Abi<br/><br/>Audio & Music Supervisor<br/>Mike Pham<br/><br/>Music Producer & Composer<br/>An Nam - Thao Mess<br/><br/>Special Thanks<br/>Doan Quynh Huong<br/>Dex Nguyen<br/>Mai Huong<br/>Gia Huy<br/>Duc Hieu<br/>Nguyen Boi Quynh<br/>Ngo Trong Can
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Coi Leray
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Mars Music
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Originally uploaded: January 10th, 2024<br/><br/>Youtube Link: https://youtube.com/shorts/lnqSnyAEMAU<br/><br/>https://linktr.ee/aleshapeterson<br/><br/>*I'm behind on Dailymotion<br/><br/>Original Youtube Description:<br/><br/>Something great happened on one of my Youtube channels, and people been going crazy over it.<br/><br/>Go here if you are interested: https://www.instagram.com/aleshampeterson/.<br/><br/>Simple concept, but big in my book.<br/><br/>I stay in my lanes, & MIND my own business. Just because you have a platform & an audience. Doesn't mean you should comment or have an opinion on everything.<br/><br/> For example.Here lately, I've been getting suggestions to dive into college life, relationships arenas. I don't have the authority to speak on those topics, they ain't my lane loves. I quickly point this out, that it's not my place to say anything. (Is it b/c I have a baby face? I've been seeing a lot of angel numbers & signs lately.If something isn't my lane & it's suggested to me, I'll just say it. I'm not going to pretend to be something I'm not, what you see is what you get, flaws & all)Look here's the thing. I'm painfully self-aware. <br/><br/>This is what helped my Youtube grow, is scratching beneath the surface to figure out my whys & where my strengths lie. (I think my spiritual guides & ancestors are playing a cruel trick, bc there's no way I would touch college life & relationship subjects on any of my platforms with a 500 foot pole. Whyy loves. Now maybe I'll look into college sports ONLY in the future, but even with that, I'm just a casual sports fan learning. I just show up to the games, be supportive & shut up. & leave my opinion out of it, I'm not out there playing. Who am I to judge & what do I know? They don't need my advice, they got this. That's why they hire a coach. They don't need my 2 cents from the sidelines. It's like being a back seat rider, & you not driving. Don't share your opinion unless it's asked...Know your lane(s) <br/><br/>Now, things that are my lane: Food, animals, being childfree, video games, how to not be jealous of others; Traveling solo, fitness, martial arts (I took two styles growing up, & want to take on #3 when my surgeries are over), taking bricks & turning them into successes just to name a few. You can have more than 1 lane, you just have to find out which ones are yours & which ones aren't yours. <br/><br/>If you do the work, & scratch beneath the surface, the truths will be revealed to you. (Sometimes some hard truths are revealed to you, it's nothing to be ashamed of, it's a part of who you are).
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Aureal
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