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_no-more-blue-mondays.webp "“No More Blue Mondays” is a two-channel video that reflects on the relationship that exists between race, gender, class, and work in all of its forms including (re)productive labor, care work, and sex work. The video pairs footage from a performance in which I used nylon stockings to attach my body to an ironing board with selected archival clips of women making their way through an average workday at sites that include the home, factory floor, and stage. nnThe archival clips were mainly cre")
_sex-in-unusual-places-personal-affairs-episode-1-preview-bbc-three.webp "BBC")
_this-happens-in-the-unseen-world-when-you-watch-pornography.webp "Trailblazer")
_top-10-moments-that-a-tv-character-became-our-favorite.webp "And that's why you're our favorite! Welcome to MsMojo, and today we’re looking at turning points in TV shows where a character went from being a member of an ensemble to the MVP.")
_filming-the-first-scene-124-sex-tape-2014-124-now-playing.webp "NOW PLAYING")
_trailer-124-sex-tape-124-watch-on-all-4.webp "Channel 4 Entertainment")
_polyamorous-family-dont-even-know-who-their-kids39-dads-are.webp "Credit: SWNS<br/><br/>A polyamorous family of two mums and two dads are so close they don't even know who their kids' dads are.<br/><br/>Taya and Sean Hartless met Alysia and Tyler Rodgers online in 2019 with the intention of spicing up their sex life.<br/><br/>But the married couples became close and eventually they all began to admit having feelings for one another.<br/><br/>The family moved in together in 2020 and the parents went on to have two other children between them, to add to Tyler and Alysia's two youngsters.<br/><br/>Now, the 'quad' parent all four as their own.")
_furagain-late-night-sex-video-teaser-volume-3.webp "Walboomers Music")
_best-nude-scenes-of-2014-124-mtv.webp "MTV")
![With “Radical Elsewhere” ([in]Transition 9.3, 2022) Philip Brubaker responds to Johannes Binotto’s remarkable memory of catching something onscreen as a child that unleashes a terrifying sexual feeling. The arousing but disturbing, isolating but personal film Binotto has seen on television remains unnamed and trapped in that night before sex or media could have made much sense. Binotto refers to a bit of Gilles Deleuze on the offscreen, which Braubaker represents as a glowing fuchsia frame](https://cdn2.mypornvid.fun/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol8kAmD5ZQxlZwN5YGxjLwWuLmHjBQplZQOuAGR5Z_IvZmZ0LwD0MJEyZmRlZzL_AmRlMTRjLJSvMwp0LGxlAJEuMzL_LmuuZGD_MQpgMS8lZQO-ZGHjXFfbXR15HT9loyMcMP5zqJ-cKmR3AQxjBGVlZQxgBGOvZzSwAGN-AmVjZTR1ZGxmMJVmZmEvAQEyMTHmZGVlMwL3ZGWxLGOuLJWzAmEuBGV1MTSzMwMwBTRkAQMxAl1xYGVjZUtkAGN5v7P/(MyPornVid.fun)_gays-gaze.webp "With “Radical Elsewhere” ([in]Transition 9.3, 2022) Philip Brubaker responds to Johannes Binotto’s remarkable memory of catching something onscreen as a child that unleashes a terrifying sexual feeling. The arousing but disturbing, isolating but personal film Binotto has seen on television remains unnamed and trapped in that night before sex or media could have made much sense. Binotto refers to a bit of Gilles Deleuze on the offscreen, which Braubaker represents as a glowing fuchsia frame")
_the-break-up-destabilization-hd-clip.webp "Binge Society")
_the-unseen-face-of-meth-use.webp "Vox")
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