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_the-flash-movie-interviews-with-andy-muschietti-sasha-calle-and-barbara-muschietti.webp "“The Flash” star Sasha Calle (“Supergirl”), director Andy Muschietti and producer Barbara Muschietti chat about their DC Comics movie in this interview with CinemaBlend’s Sean O’Connell. Andy Muschietti talks about honoring “Zack Snyder’s Justice League” in the film and his hopes for Zack Snyder to see the film, Sasha Calle makes us fall in love with her and her Supergirl Barbie and more!")
_el-beso-de-joel-y-yuvinka.webp "Erden Caglayan")
_joel-le-dice-a-yuvinka-que-solo-fue-un-9234pasatiempo9234-calle-7-bolivia.webp "OMG Bolivia")
_calle-7-seniors.webp "Calle 7 Seniors")
_desfile-de-bikinis-en-calle-7.webp "Unitel Bolivia")
_yuvinka-y-nataly-eligen-su-equipo-para-competir-hoy.webp "Unitel Bolivia")
_vlatka-horvat-by-the-means-at-hand-92-pavilion-of-croatia-at-venice-art-biennale-2024.webp "In this video, Vlatka Horvat, the artist representing Croatia at the Venice Art Biennale 2024, guides us through her exhibition. The show is titled “By the Means at Hand” and is located at Fàbrica 33 (Calle Larga dei Boteri, Cannaregio 5063).<br/><br/>Official description: Vlatka Horvat’s project for the Croatian Pavilion – By the Means at Hand – exists as both a dynamic, accumulating exhibition of artworks by a large group of international artists living “as foreigners”, reflecting on questions and urgencies of diasporic experience, and as a compelling, intimate, social, and performative exchange between them. The pavilion also doubles as Horvat’s temporary artist’s studio over the course of the biennial. Horvat has invited a large number of artists living in diaspora in different countries to engage with her in a series of reciprocal exchanges of artworks and other materials, all of which will be sent between Venice and other places by improvised means – via various friends, travellers, and strangers who will be enlisted as informal couriers for the project.<br/>The project builds on the principles of solidarity, shared struggle, mutual support, and friendship – prerequisites for co-existing with others and key elements in the toolkit for those living “in foreign lands”. The project also points to a wide range of other, broader themes such as alternative logistics, spontaneous production of social relations, informal and gift economies, and the idea of trustfulness.<br/><br/>Commissioner: Ministero della Cultura e dei Media della Repubblica di Croazia<br/>Curator: Antonia Majača<br/>Exhibitor: Vlatka Horvat<br/><br/>Vlatka Horvat: By the Means at Hand / Pavilion of Croatia at Venice Art Biennale 2024. Venice (Italy), April 16, 2024.<br/>")
_calle-7-bolivia-ngel-se-desnuda-por-la-competencia.webp "Calle 7 Dual Bolivia")
_anabel-angus-se-anim-a-bailar-el-baile-del-9234cuadradinho9234-junto-a-tati-zaqui.webp "Unitel Bolivia")
_channatip-chanvipava-the-sound-of-many-waters.webp "Coinciding with the Venice Art Biennale 2024, Roman Road presents a solo exhibition curated by Marisa Bellani dedicated to the artist Channatip Chanvipava. Titled “The Sound of Many Waters”, the show features eight new works that explore the notions of fixed identities, belonging and subjective memory. The exhibition is on view at Dimora ai Santi, Calle Larga Giacinto Gallina, Canneregio 6381, 30121, Venezia, and runs until May 27, 2024.<br/><br/>Channatip Chanvipava: The Sound of Many Waters. Venice (Italy), April 16, 2024.<br/><br/>Press text (excerpt):<br/><br/>Aligning with this year's Biennale theme 'Foreigners Everywhere’, Bellani turns to water as a powerful reference to address the concepts of queer identity and connection in a divided world. These are vibrantly expressed in Chanvipava’s work which navigates queer sensibilities with immense power and emotion. Water, in this instance, becomes a symbol of both connection and division, resonating with the complexities of queer identity.<br/><br/>Based in London, Channatip Chanvipava is a self-taught painter who embarked on his artistic journey after a degree in Economics, driven by an enduring passion for art cultivated since a young age. His unique style, marked by distinctive and bold brushstrokes inspired by the impressionists, seamlessly oscillates between abstraction and figuration. Notably, Chanvipava's compositions are characterized by layered, thick, and vibrant paint textures distinguished by vertical lines outlining forms. His organic and meditative artistic process relies on intuition and fragments of memory, pieced together to create a ‘tapestry’ of recollections. He navigates through colour as a vehicle to express form, bringing to light moments of reflection, contemplation and liberation. Without employing preliminary sketches or physical references, he paints directly on canvas and relies solely on memory and his acute understanding of space and depth.")
_la-revancha-yuvinka-deja-sin-gloria-a-ronico.webp "Unitel Bolivia")
_qu-esta-pasando-con-yuvinka.webp "Unitel Bolivia")
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